Dr Rumika's
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A woman at a walnut table in late light, turning a gold ring on her finger.

The Vault

Weight you can feel

Kundan, granulation, hand-drawn silver. Made by people whose grandparents made the same joins, wherever the bench happens to be — and at a scale small enough that each piece is still argued over before it leaves it.

11 pieces

In the case

Stacked gold rings and layered chains on a woman resting her chin on her hands.

How it is worn

Stack it until it sounds like something

Nothing here is a set. Chains are cut to four lengths on purpose so they layer without fighting, and the rings are stepped in width so a stack sits flat. Buy one, wear it alone for a year, then add to it.

A goldsmith's hands drawing gold wire through a steel plate.

At the bench

Nine days where a cast takes an hour

Every join on this page was made by a person deciding where to put it. That is slower, more expensive and occasionally uneven, and it is the entire reason a hand-made piece reads differently across a room.

Gold
22k and 18k, recycled, assayed and stamped before it leaves the bench.
Stones
Uncut polki and rose-cut, bought at source, never lab-treated without saying so.
Silver
925, hand-drawn to wire in the workshop rather than bought as chain.
Bench
Jaipur, Chiang Mai and Seoul. The piece carries the name of whoever finished it.

At magnification

Four things the bench knows

Every one of these is slower than the machine alternative and none of them can be faked at scale. Photographed close enough that the difference is visible rather than asserted.

  • Macro detail of an uncut stone held by burnished gold foil pressed around its edge.

    Kundan

    Pure gold beaten to foil and worked around an uncut stone until pressure alone holds it. No glue, no claws.

  • Macro detail of green and blue vitreous enamel fired into engraved gold channels.

    Meenakari

    Powdered glass fired into hand-engraved channels, once per colour, because each pigment vitrifies at its own heat.

  • Macro detail of a raised form chased into thin gold sheet, punch marks visible.

    Repoussé

    The figure pushed out from behind a thin sheet with punches, then chased from the front. Nine days where a cast takes an hour.

  • Macro detail of hand-drawn gold wire coiled into fine chain links.

    Drawn wire

    A rod pulled through eleven plates until it is wire, then linked one at a time. No two links identical.

Two women at a window at golden hour, one fastening a gold chain at the other's neck.

Bought for yourself, worn every day, handed on without ceremony.

The pieces that last are the ones nobody is saving for an occasion. Everything in this room is made heavy enough to be ordinary.

A woman pressing both palms to her cheeks, smiling.

Next door

Something to put on after

The Apothecary is two rooms over — cold-pressed oils, fermented essences, and an ingredient list printed by weight rather than by marketing. Small batches, dated by hand.

Enter the Apothecary

Sized to you

Rings and chains are adjusted before dispatch. Tell us the size at checkout, or after — we will wait.

Hallmarked & assayed

Solid 22k and 18k gold and 925 silver, stamped and verified before leaving the bench.

Master craft

Hand-worked Kundan, Meenakari, and hand-drawn wire — crafted without glue or casting shortcuts.